In the eighties, when he lived in London, Byrne collected hand-embroidered postcards from World War I. “In the banalities people wrote to each other, there were all kinds of stories,” he says, and performs a lilting imitation: “We’re having a fine time here at Tremore. Gertie says she feels better today. The sea air is doing her good, I’m sure. Well, that’s all for now.” In their pith and semi-public display, he points out, postcards might be the grandfather of Twitter. “And of course, there were the ones that flighty girls could send to timorous men,” he adds, using his hands to draw a postcard in the air, one designed so a woman could press her lipstick to an outline. “If you were a man receiving that, it must have been highly erotic.” He smiles. “That’s one thing you can’t get with Twitter.”
Abe's Penny: serialized art and literature printed and mailed on postcards. Narratives unfold in sequence, one part per week. Also see Abe's Peanut, our art and literature publication for kids.
October 27, 2010
Gabriel Byrne on postcards